Elements of magick
The following article has been taken from "The Complete
Book of Spells, Ceremonies and Magick" by Migene Gonzalez-Wippler
(Llewellyn Publications, 1997)
Magick has often been defined as an art but seldom as a science.
In reality it is both: an art because it is the expression of human
ingenuity in adapting natural things to man's use, and also a science,
because it is knowledge attained through study and practice.
Before the magician can shape the world according to his desires
he must undergo lengthy and careful training. The esoteric schools,
occult societies, primitive initiations, and long periods of apprenticeship
that are absolute requirements for many magickal groups are the
equivalent of the concentrated courses of study demanded by major
universities before they confer a degree. Although there are persons
who are naturally gifted with psychic powers, they still must learn
how to direct and concentrate their will in order to practice magick
effectively. Misdirected or uncontrolled power can be very dangerous
and can result in severe damage both to the personality and the
physical welfare of the magician. The psychic energies released
by the practitioner of magick must be effectively directed and earthed.
Otherwise they will try to manifest themselves on their own, and
sine they are blind, instinctual forces they will often do so in
completely unexpected and terrifying ways. For this reason, self-control
is one of the most rigid demands of magic and to acquire it the
would-be magician must be subjected to rigorous trials. Primitive
initiation rites are examples of the severe tests to which the magician
must submit themself before they can practice magick effectively
and without fear.
The dangers of practicing magick are quite real because the forces
that are the plastic moulds of the magician's will are an inherent
part of the mind and of nature. The magickal premises are far from
being false. They are not the result of faulty logic on the part
of the magician but rather an accurate adaptation of natural laws
to the workings of magick. Frazer, for example, whose famous work
"The Golden Bough" has become a classic on primitive magick,
considers magick to be a "false science and an abortive art".
Although his analysis of the principles of magick is essentially
correct, his comprehension of the true meaning of magick falls wide
of the mark, for magick as a science is based on the Laws of Nature,
which are immutable and eternal. No amount of scholarly speculation
is going to affect the Law of Gravity or the Laws of Adhesion and
Cohesion, or the affinity between positive and negative poles, and
these are precisely some of the Laws upon which magickal scientific
premises are based. Likewise, magick as an art is not subject to
the whims of the magician. Nothing will happen in the material world,
magic or no magick, which is not in accordance with the Laws of
Nature. To adhere to these laws is the constant care of the magician,
for to break a natural Law can result in total spiritual and mental
disintegration.
What the magician does that scholars do not like is to anthropomorphise
the forces of nature, identifying them as gods or spirits. This
is done purposely to absorb these forces into the magickal personality,
the better to control them. The primitive sorcerer does this instinctively;
the serious student of magick, consciously. But both the educated
and uneducated practitioners of magick are concerned with the same
thing - to control nature and subject it to their will. Without
proper control there is no magick, only trouble.
The period of study for the true magician lasts a lifetime. This,
which modern occultists call "the great work", is never
really completed on this earth. Even when a magician reaches the
apotheosis of knowledge and power, achieves his/her greatest aspiration
and becomes one with God, they must still continue working, this
time for the benefit of creation as a whole.
During the first stages of a person's training in magic they are
a neophyte or beginner, till outside the temple's doors. (The temple
in this sense means the edifice of esoteric or secret knowledge.)
As the studies continue and the neophyte's awareness increases,
the door of the mysteries opens for them and they then undergo the
first of many initiations. From this moment onward they are known
as an Initiate in the Mysteries.
Sometimes a person may decide to study magick on their own, perhaps
because they are unable to find a suitable teacher or an esoteric
group to their liking or perhaps because they are meant to be alone.
In this case, what are magickally known as "hidden masters"
are believed to come to the help of this lone individual and guide
them telepathically during their studies. These masters exist in
what are known as the inner planes, and are advanced souls who have
chosen to forego their right to spiritual bless in order to teach
and guide those individuals starting on the magickal path. When
the time comes, this learner is directed from the inner planes in
choosing the appropriate initiation into the mysteries. At other
times, when a person is seeking magickal knowledge and is unsure
about where they should start, these same masters will direct them
to a suitable teacher or group on earth. The meeting between teacher
and disciple will take place in what might be called a coincidental
manner. All magicians know, however that there are no coincidences
in the physical or spiritual worlds, and that all so-called fortuitous
happenings are in reality predesigns of the all-seeing cosmic forces.
Shortly before he died, Jung had been busy studying what he called
"synchronicity", a human phenomenon that explained the
occurrence of coincidental happenings as the result of the interrelation
of cosmic forces in the time-space continuum, a part of the unconscious
that blends past, present and future into eternity.
Many years after the first initiation, and after many years of
practical work in magick, the initiate finally becomes an adept.
This means they have realised their Will and found true knowledge.
The adept is a wise, highly spiritualised human being who is nevertheless
in total control of the material world. As an individual they have
perfect mental, physical and spiritual balance. They never loses
control, because their personality has been synthesised into perfect
equilibrium.
The process of magickal training is very similar to the process
of psychoanalysis, which aims at the harmonious balance of the psychic
elements within an individual. The difference with magick is that
it constantly searches for synthesis, not only within the mind and
soul of the magician but also without, in nature and the material
world. The magician seeks correspondences and identification between
themselves and everything that exists. When they achieve this identification
the magickal process is completed and they are a wo/man of power;
they have realised the god within themselves.
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